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(I asked Agnes for help when the time comes to make the two car tires in the garage flat. Both of them should be completely unusable. Additionally, the car I'm traveling in somehow has a license plate that resembles the area code for Scotland, 5C0T – CAR. When compared to Lady De Polcester's, SCO - 7P, they are quite identical. The SCO license plate code, originally for Scotland, is quite similar to the 5COT code, even though the actual area code is CAR, which stands for Cambridgeshire. The word "5COT CAR" can be misinterpreted, so it is read as "SCOT CAR.")
(With that condition, I can create a kind of "Placebo Effect" where my car scenario is Lady De Polcester's. They won't suspect anything because the license plate will mislead them. With that said, I am fully confident that this plan is much neater than imagined.)
(On the second day, the three of them will express their unease about staying in this villa. I will intensify their anxiety even more. Lady De Polcester's recorded crying will convince them that the incident is indeed real. One group with the same voice is convincing enough, but with an extra third party, the result will be certain.)
(The three of them will be in a state of unease and plan to leave. However, Aunt Mildsven will intervene, claiming that everything will be free of charge and it will please Lady De Polcester. Although the phrase "pleasing Lady De Polcester" was not fabricated. Then they will be promised a ride in De Polcester's car. They will still be stepping on the carpet of the scenario I created.)
(They will be made happy until their happiness reaches its peak when they find out that the car that will take them home is a luxurious SUV with the label "Range Rover." Meanwhile, I will continue to observe Lady De Polcester's continuous and impulsive behavior that provokes fear in Mademoiselle Ren. This part is Lady De Polcester's proposed plan, and it aligns with the character traits I desire.)
(Up until now, the plan has been halfway implemented. Mademoiselle Ren, increasingly disturbed by Lady De Polcester's behavior and the crying sound from yesterday, strengthens their resolve to find out. They want to prove that the sound is not a ghost. At this moment, I cannot let that happen.)
(That night, with a light drizzle, I locked the room I was staying in, Room 14, from the outside, and took the next steps. I had prepared a two-part plan, but without Lady De Polcester. Technically, it is similar to what Lady De Polcester did yesterday, and this will be the first part. Agnes will take the lead in the first part. However, unlike yesterday, I will make it more eerie. Agnes will open each room door one by one and then return. Then they will come out and plan to tail her. Unfortunately, Grunt's dinner has been drugged. Ren and Sistine will give me time.)
(I eavesdropped briefly from the empty Room 2, then entered the secret passage through the bookshelf towards Room 1. I went to the backwoods to fulfill my role, which is to record the sounds of the forest, the drizzle, and so on. Together with Agnes, I have created an alibi to protect the plan in the second part.)
(Mademoiselle Ren would get frustrated and bang on Grunt's room door very loudly. Because the loud banging sound indicated that it was time for Aunt Mildsven to approach them. Aunt Mildsven brought a recording. It might sound somewhat strange to their ears, but I assure you they won't suspect a thing. A person in fear doesn't have time to debate other issues except to convince themselves whether what they fear is true or not.)
(The recording brought by Aunt Mildsven has two parts. After the sound of crying approaching their doors, the recording would pause for five seconds. Then, absurd and threatening conversations would play. These conversations came from the voices of Agnes and Aunt Mildsven recorded the day before.)
(Hearing the recording, they would be greatly threatened and decide to give up. Both the plan to investigate the crying sound and the desire to go home.)
***
(The third day is the last day, according to the threatening letter and the scenario that was unfolding. As I suspected, they finally forced Ren to surrender. The two individuals had no reason to stay. That day was the exchange day. To be cautious, I instructed Lady De Polcester to provide money and a sample of Michizaburo Shio's work as an exchange for Mademoiselle Ren's safety.)
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(There were no other individuals besides these two, Sistine and Grunt, who planted the threatening paper to frame the absurd conversations from last night. I had accounted for that, so they would accuse Aunt Mildsven and also Agnes. I don't blame them because the recording did indeed come from Aunt Mildsven and Agnes's voices. However, I had to make that perception false. Hence, the recording of last night's drizzling rain as an excuse to scare away bears.)
(The recording was indeed carried out by two individuals, myself and Agnes. Two important points reinforced the recording, the spotlight of the flashlight and the voice. The recording created an alibi for Aunt Mildsven and especially Agnes, which is why creating it realistically required great skill and perseverance. For that reason, I borrowed Agnes' 360-degree hinged tripod, tied it with a rope, and placed it a bit far away. Underneath it, I placed a phone that had played Aunt Mildsven's recorded voice saying a short answer.)
(More precisely, the recording consisted only of short questions and answers. I only said two things: "Did you find something, Madame Mildsven?" and "How about you, Agnes?" While they only answered, "No." The timing of the recording was adjusted to Aunt Mildsven carrying out the second round plan.)
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(By the way, when I gave them the recording, they still seemed suspicious. That's alright because the recording was only meant to disrupt their thinking process. Because of that, they defected and immediately invited me to the garage to leave the villa. I won't let it end there, or they would point a gun at me during the journey. They would get their car, Mlle. Ren's luxurious necklace, and Mlle. Ren herself.)
(In the final scenario, I had prepared three plans. The two-phase anticipation plan to trap them, the plan within the plan, and the guerrilla plan. The first phase anticipation plan I executed was hijacking the signal and puncturing one of the tires of two cars. I asked Agnes to do that early in the morning. That way, they would be cornered. Thus, they would step on the next carpet, the second phase anticipation plan.)
(The second phase anticipation plan was prepared on top of the other plans. In other words, it was prepared earlier and unknown to anyone. I asked for help from my colleague, Countess Hestia Madelaine. That woman had a secret team to assist me. The team consisted of eight members, including herself. Five men and three women. And there were two additional aces.)
(The eight members were from the Secret Special Operations and Anti-Terrorism Team of Scotland Yard. Constable Irving, Tucker, Dior, Ramsay, Debile, Paulin, Sergeant Emberly, and the woman herself, Superintendent Madelaine. I instructed Countess Madelaine's team to intercept at the villa's exit area, Lady De Polcester's place. They would be in two black vans, armed with two pistols, dressed in black. In the second phase anticipation plan, these individuals would disguise themselves as other kidnappers or at least a third party to confuse them. They would be bewildered and return to the villa. Creating a situation of panic and siege, I pretended to be willing to become bait. Once again, the scenario I executed was proceeding very smoothly. At this point, no one knows the details of this plan.)
(The next stage is the plan within the plan. It appears as if I am the only protector for them, with no refusal and no other choice but to carry out this plan. I took the initiative to create a strategy of an empty fortress to produce two mutually beneficial reflections. For Sistine and Grunt, the idea was brilliant and deceptive. It allowed them a great opportunity to escape. On the other hand, for Countess Madelaine's team, I had them scattered and seemingly imprisoned. I also explained all the deception and instructed them to pretend. Essentially, Grunt and Sistine were not part of the same group, which made everything much easier.)170Please respect copyright.ＰＥＮＡＮＡk9E0YwG9Az
(In the final stage, there is the guerrilla plan, which is the simplest. However, the guerrilla plan sounded like a desperate plan for them but was much more advantageous for Countess Madelaine's team. It appeared as if Mlle. Ren was being chased and cornered, along with everyone else, they would all be besieged—Ren, Sistine, and Lady De Polcester. Lady De Polcester was the most crucial key. Her behavior, which I had arranged to appear insane, made her the last person they suspected. And at the same time, made her the most dangerous for them. Sooner or later, as predicted, Sistine would pull Mlle. Ren away, but Lady De Polcester would put a stop to that. My plan was reaching its climax.)
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