The camera eye pans over the bustling Mamak, a popular Malaysian eatery, where Kak Zainab and her daughter Fira are seated at a table, waiting for Zaidi. The air is thick with anticipation and the hum of conversation.
Fira, a young woman with a mischievous glint in her eyes, turns to her mother and says, 'Mak, I don't have the patience for this. I saw Abang Zaidi by the pool the other day, in his trunks. The outline of his... you know... was visible. It was long, but the tip, it was plump, mak.'
Kak Zainab, a composed and elegant woman, raises an eyebrow and responds, 'Why didn't you tell me about this when you saw that, Fira?'
Fira replies, 'Because, mak, Abang Zaidi had already left by then. I didn't get the chance.'
Just then, Zaidi enters the Mamak, fresh from the gym. He's clad in a white tank top, light grey gym shorts, that are slightly transparent, and white jockey jockstrap undies, which are kind of visible through the gym shorts that he has on. Zaidi, greets his mother and sister warmly. As he was about to sit, the waiter asks for his order, and Zaidi, unintentionally stood facing his family, revealing the front of his shorts.
Both Kak Zainab and Fira's eyes grew wide as they saw the large, long tubular bulge outlined on Zaidi's gym shorts. But the star of the show was the tip, a plump juicy mushroom shape, caught mother and daughter off guard, but they quickly compose themselves as Zaidi remains oblivious.
Awhile later Kak Zainab shares the reason for their meeting, and Zaidi is taken aback. 'Mak, this is crazy. Fira, my little sister, one father, one mother. How could you even think of asking me to impregnate my own sister?'
Fira interrupts, but Zaidi cuts her off, saying, 'Diam, Fira!'
Zaidi's face is red with anger, Kak Zainab looks dejected, and Fira looks sad.
Later, at their family home, the camera eye captures a scene in Fira's bedroom. Zaidi's left ankle is seen lying on Fira's bed, the white jockey jockstrap that he worn that day hanging around it. His light grey gym shorts and the tank top are strewn on the floor, right next to his sister's panties. The room is filled with the sounds of muddled body slaps, the bed springs creaking, and Fira's passionate moans, accompanied by Zaidi's grunting cries.
As the camera eye zooms in on Fira's face, she says, 'Abang!, sedap!,' and Zaidi only manages to muster a strained grunt as a reply.
The camera eye lingers on the scene, capturing the raw sexual emotions and desires of both brother and sister, as they navigate the complexities of their forbidden attraction.
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